Create and monitor audio up to full theatrical Atmos®
MTRX II is built for today’s demanding audio workflows, ideal for multi-room facilities with complex setups. MTRX II provides high-quality mic preamps and renowned AD/DA conversion with immense I/O, routing, and monitoring flexibility. MTRX II adapts to your needs with its massive 4,096 x 4,096 router, 384 channels of built-in low latency I/O and onboard DigiLink, Dante, and MADI I/O. Plus, built-in SPQ Speaker Processing ensures the best sound for your space for monitoring up to full theatrical Dolby Atmos®.
Pro Tools | MTRX II: Comprehensive Overview
WHY PROFESSIONALS CHOOSE MTRX
Ian Kagey
DIRECTOR OF OPERATIONS, POWER STATION BERKLEE NYC
"The sound quality of MTRX is outstanding. I’ve received an enormous number of comments from clients who have felt that the sound quality at Power Station has improved with these new systems."
Mick Guzauski
GRAMMY-WINNING MIXER AND ENGINEER
“MTRX is the hub I use to connect everything in my studio. I can pretty much patch any analog, any digital, any format input or output to anything else.”
Alan Meyerson
GRAMMY-WINNING SCORE MIXER
“Pro Tools | MTRX is a complete solution. It allows me to run the largest sessions with multiple workstations controlling a single MTRX, like it’s one system.”
Craig Bauer
GRAMMY-WINNING PRODUCER AND MIXER
“MTRX is the unified AD/DA and monitor controller in my studio. Switching between analog, AES, and Dante sources is part of my daily workflow, and MTRX makes it effortless, all in the digital domain.”
Contact your regional sales representative for more information
Audio routing, recording, and monitoring for your exact needs
Built to scale spectacular sound with Dante
Configure MTRX II with up to 1,280 Dante channels to distribute audio over IP. Easily integrate Dante-enabled devices and support multiple audio networks running on individual clocks and sample rates in one MTRX running multiple Dante cards. Get impeccable transparency with AD/DA converters that support sample rates up to 384 kHz PCM and DSD. Hear every sonic nuance of 128 dB of dynamic range with less than -120 dB harmonic distortion.
Audio monitoring and calibration
MTRX II has a massive 512 x 64 summing mixer for full Dolby Atmos® theatrical monitoring or simple cue mixes. It includes SPQ Speaker Processing for calibration up to 9.1.6, DADman Pro | Mon control and supports Sonarworks room calibration. Calibrate speakers with up to 16 filters per channel totalling 1024 filters across 64 channels for precise room correction, with adjustable delay and filters.
Customize your interface to any audio workflow
The MTRX II offers 64 DigiLink I/O channels, 256 Dante channels, and 64 MADI channels, plus eight option card slots and a Thunderbolt 3 option slot. With one interface, connect to Pro Tools | HDX with a Mac or PC, use other DAWs, route audio over IP with Dante, and add and reconfigure I/O as needed. Say goodbye to old gear and simplify your setup with a MTRX II.
Work with Dolby Atmos®
MTRX II delivers the most comprehensive solution for immersive audio with Pro Tools Ultimate and Pro Tools | HDX. One MTRX II can achieve the 128-channel immersive audio requirement for connecting to the Dolby Atmos® Renderer, streamlining hardware, complexity and cost.
Its 512 x 64 summing mixer accommodates a full theatrical Dolby Atmos® configuration allowing you to:
- Connect a multi-card HDX system or multi-workstation system to a single interface.
- Route audio to the Dolby Atmos® Renderer while maintaining full HDX DSP power.
- Control playback sources, stems, rendering, and monitoring outputs across multiple workstations.
MTRX II Setup Configurations
Control MTRX II with EUCON
CHOOSE YOUR WORKFLOW
AUDIO POST PRODUCTION
Streamline facility I/O with one interface that can control multiple rooms.
Send audio to mixing rooms and stages across your facility.
Create and save routing workflows for recall in seconds.
Switch between 5.1, 7.1, Dolby Atmos®, and other production formats in seconds to support multiple delivery formats.
Sum your mix stems and subgroups with the 512 x 64 summing mixer.
Work with multi-DAW, multi-workstation setups to capture, route, and monitor audio.
Remotely control all sources, inputs, fold-downs, cue mixes, and monitoring with EUCON-enabled surfaces.
Add Avid SyncX for perfect frame-edge picture lock.
MUSIC PRODUCTION
Streamline facility I/O with one interface that can control multiple rooms.
Send audio to mixing rooms and stages across your facility.
Create and save routing workflows for recall in seconds.
Switch between 5.1, 7.1, Dolby Atmos®, and other production formats in seconds to support multiple delivery formats.
Sum your mix stems and subgroups with the 512 x 64 summing mixer.
Work with multi-DAW, multi-workstation setups to capture, route, and monitor audio.
Remotely control all sources, inputs, fold-downs, cue mixes, and monitoring with EUCON-enabled surfaces.
Add Avid SyncX for perfect frame-edge picture lock.
Capture pristine-quality sound through ultra-low-noise mic preamps, high-precision clock circuitry, and low jitter.
Capture and output audio without coloration with clean, transparent, and highly detailed AD/DA conversion supporting sample rates up to 384 kHz PCM and DSD.
Switch between 5.1, 7.1, Dolby Atmos®, and other production formats to preview mixes.
Work with your preferred DAWs like Logic, Ableton, and Pro Tools to capture, route, and monitor audio.
Route audio to the Pro Tools Ultimate. Dolby Atmos® Renderer while maintaining full use of your HDX DSP cores.
Remotely control all sources, inputs, fold-downs, cue mixes, and monitoring with EUCON-enabled surfaces.
Customize your MTRX II
